This study examines the representation of cyber scam in Nigerian hip hop songs. Forty-five singles of twelve Nigerian hip hop artistes constituted the study population. Purposively selected cyber scam-related lyrics of seven artistes constitute the study population. Relevant aspects of Scollon’s »Mediated Discourse Analysis Theory« (MDAT) were used to engage the data. The Nigerian government, scammers, victims and religious clerics were identified as participants in cyber scam discourse. With re-course to context, Nigerian hip hop artistes articulate specific discourse acts such as glamorisation of cyber scam, assertion of identity, appeal to scammers’ cognitive abilities and justification of cyber scam. These acts are discursively projected through metaphorical expressions, repetition, pronominal references, lexical choices and rhetorical questions. This study has contributed to scholarship on cyber fraud by identifying and describing how context functions in articulating the roles, attitudes and orientations of social actors involved in cyber scam.
Beitrag
Discursive Representation of Cyber Scam in Selected Nigerian Hip Hop Songs
Zeitschrift für Diskursforschung (ISSN 2195-867X), Ausgabe 1, Jahr 2023, Seite 31 - 50
Discursive Representation of Cyber Scam in Selected Nigerian Hip Hop Songs
Zeitschrift für Diskursforschung (ISSN 2195-867X), Ausgabe 1, Jahr 2023, Seite 31 - 50
10.3262/ZFD2301031
Temidayo Akinrinlola, Temitope Michael Ajayi, Idayat Modupe Lamidi, Discursive Representation of Cyber Scam in Selected Nigerian Hip Hop Songs (2024), Beltz Juventa, 69469 Weinheim, ISSN: 2195-867X, 2023 #1, S.31
Artikelseite content-select.com
2195-867X
Beltz Juventa
Temidayo Akinrinlola / Temitope Michael Ajayi / Idayat Modupe Lamidi